多模态隐喻架构视角下《中国抗疫图鉴》中中国形象建构研究  

A Research on Construction of China’s Image in China Anti-epidemic Atlas from the Perspective of Multimodal Metaphor and Framing Theory

作　　者：刘桂玲[1] 李跃 LIU Guiling;LI Yue(School of Foreign Studies,Jilin University,Changchun 130012,China)

机构地区：[1]吉林大学外国语学院,长春130012

出　　处：《长春大学学报》2022年第9期39-44,共6页Journal of Changchun University

基　　金：教育部人文社科项目(20YJA740027)。

摘　　要：自2019年新冠疫情暴发以来,中国取得了举世瞩目的抗疫成果。长卷漫画《中国抗疫图鉴》以图像和文字记录了中国的抗疫历程,从医生、人民到国家多层面地展现了中国的抗疫精神和形象。本文以多模态隐喻和架构理论为基础,对《图鉴》中的隐喻进行分析。研究发现:《图鉴》中图文互补,共同激活了“战争”架构、“天气”架构和“春天”架构,构建了“疫情抗击是战争”“疫情是天气”“抗疫胜利是春天”的概念隐喻;上述表层架构进一步激活了深层架构,建构了无私奉献、尽职尽责、坚强勇敢的中国医生形象,团结一致、顾全大局、积极乐观的中国人民形象,领导有方、人民至上、不屈不挠的中国国家形象。Since the outbreak of COVID-19 in 2019,China has scored remarkable achievement in its fight against the epidemic.The long scroll of China Anti-epidemic Atlas is a pictorial-textual record of China’s fight against COVID-19,revealing the anti-epidemic spirit and image of China from the dimensions of doctors,people and the nation.Guided by Multimodal Metaphor Theory and Framing Theory,this paper analyzes the multimodal metaphors in the atlas.It has been found out that texts and images complement each other in the atlas constructs “war” frame,“weather” frame and “spring” frame,which gives rise to such conceptual metaphors as “anti-epidemic is war”,“epidemic is weather” and “victory is spring”.Surface frames further activate the deep frames,which constructs the image of Chinese doctors as selfless,responsible,strong and brave warriors,Chinese people as a united whole,positive and optimistic,caring for the overall situation,and China as an indomitable nation with good leadership that always puts the people first.

关 键 词：《中国抗疫图鉴》 多模态隐喻 架构 中国形象 

分 类 号：H152.1[语言文字—汉语]