远古彩陶发展中的生成元与奇怪吸引子  

Generators and Strange Attractors in the Development of Ancient Painted Pottery

作　　者：李曙华[1] LI Shu-hua(Department of Philosophy,Nanjing University,Nanjing 210046,China)

机构地区：[1]南京大学哲学系,江苏南京210046

出　　处：《系统科学学报》2022年第3期39-44,共6页Chinese Journal of Systems Science

摘　　要：系统生成论以系统科学为基础,试图从生成整体论出发,建立一种新的科学自然观,科学研究方法与方法论,推动当代科学的规范转换。而马家窑彩陶研究的发展需要一种基于信息的跨学科研究的方法论。本文概要介绍了系统生成论,将马家窑彩陶及其发展作为生命性系统的生成过程,提出并论述了马家窑文化是在中国西北“大彩陶”发展的过程中诞生的华夏文明生成元,并遵循系统生长的规律,成长为西北彩陶的奇怪吸引子。强调马家窑彩陶纹饰本身就是信息,作为信息载体,具有原始图腾及“族标”意义。彩陶纹饰的发展蕴藏着中华文化精神与思想起源的轨迹与信息,以及中西文化差异的端倪。On the basis of system science,system generationism makes an attempt in establishing a new scientific view on nature,scientific research method and methodology,and promoting the transforming paradigm shift of contemporary science.The study of Majiayao painted pottery requires an information-based transdisciplinary scientific methodology.This paper examines Majiayao painted pottery from the perspective of system generationism and proposes that Majiayao painted pottery culture is a generator born in the course of“Great Painted Pottery”development in northwest China.It ended up in growing into a strange attractor following the law of systematic growth.This paper emphasizes that decorative patterns of Majiayao painted pottery,carriers of information,are the information themselves.They bear the meaning of primitive totem and“clan emblem”.The development of the decorative patterns of Majiayao painted pottery contains the trace and information of the spiritual and thinking origin of Chinese culture,as well as clues of cultural differences between China and the West.

关 键 词：系统生成论 生成元 奇怪吸引子 马家窑彩陶 纹饰 图腾 

分 类 号：N949[自然科学总论—系统科学]