中国相声幽默英译理念探赜:传统译论“信达切”原则拓展新视角  

Exploring New Ideas for Translating Traditional Crosstalk Humor

作　　者：黄乐平[1,2] 王俊超 刘洋 Huang Le-ping;Wang Jun-chao;Liu Yang(School of Foreign Languages,Tianjin University of Commerce,Tianjin 300134,China;Journal of Guangdong University of Foreign Studies,Editorial Department,Guangzhou 510420,China)

机构地区：[1]天津商业大学外国语学院,天津300134 [2]广东外语外贸大学学报编辑部,广州510420

出　　处：《外语学刊》2022年第5期67-72,共6页Foreign Language Research

基　　金：天津市艺术科学规划项目“文化‘走出去’战略下天津相声的翻译策略研究”(B18011)的阶段性成果。

摘　　要：传统相声是中国传统民间文艺的瑰宝,其艺术性之一在于具有矛盾性、通俗性、默会性和启示性的幽默,而这些正是相声英译的一大难题。本研究以相声幽默特性为聚焦点,结合相声幽默的本质特征及其翻译实践,将传统译论中的“信达雅”和“信达切”原则拓展发展为相声幽默英译的“信达切”新理念,即“形异而功能信”“言达而意通顺”“适切而传播畅”。本文认为,相声翻译及对外传播不应简单套用现有翻译理论概念,而是应从相声自身的艺术特征出发,在翻译实践中进一步认识其艺术特征与英译难点,构建出具有可操作性和推广意义的相声幽默英译新理念,从而在翻译理论和翻译实践上均具有创新性的启示意义。Traditional crosstalk is the treasure of folk literature and art in traditional Chinese culture.One of its artistry lies in its contradictory,popular,tacit and enlightening humor,which is a huge problem in crosstalk C-E translation.This study focuses on the humorous characteristics of cross talk,in accordance with the essential characteristics of crosstalk humor and its translation practice,expands and develops Yan Fu’s“Faithfulness,Expressiveness and Elegance”Principles and then develops it into the three new concepts of“Faithfulness,Expressiveness and Appropriateness”for translating crosstalk humor.In this paper,crosstalk translation and its international communication should not simply apply the existing translation theoretical concepts,but should further understand the artistic characteristics of crosstalk itself and the difficulties of translation in practice,and construct a new concept of crosstalk humors’C-E translation with operability and promotion significance.Thus,it has innovative enlightenment significance in both translation theory and translation practice.

关 键 词：传统相声 幽默 “信达雅” “信达切” 传统译论新拓展 

分 类 号：H030[语言文字—语言学]