内蒙古诗歌批评的美学嬗变  

Aesthetic Evolution of Poetry Criticism in Inner Mongolia

作　　者：杨瑞芳[1] 李安伟 YANG Rui-fang;LI An-wei(Jining Normal University,Ulanqab,Inner Mongolia,012000)

机构地区：[1]集宁师范学院,内蒙古乌兰察布012000

出　　处：《集宁师范学院学报》2022年第4期58-62,共5页Journal of Jining Normal University

基　　金：内蒙古自治区高等学校科学研究人文社会科学重点项目“内蒙古地域草原诗学批评现状研究”(项目编号:NJSZ20245)成果之一。

摘　　要：随着内蒙古诗歌创作的繁荣,诗歌批评也逐渐进入了人们的视野,既有综述性评论,也有个案研究。但诗歌作为一种审美的艺术,关于其美学意义的认识既存在于文本层面,也存在于精神层面。本文试图从内蒙古诗歌批评的传统审美趋向、生态美学意义下的草原批评话语建构以及新草原写作的审美突围三个方面着手,来探寻70多年来内蒙古诗歌批评的演变与递进,离析出以草原为背景的群体化写作向多元化个体写作的发展路径,为内蒙古诗歌创作和研究提供借鉴和启示。With the prosperity of poetry creation in Inner Mongolia,poetry criticism has gradually become popular,with both comprehensive comments and case studies.However,the understanding of the aesthetic significance of poetry as an aesthetic art exists in both the text level and the spiritual level.This paper attempted to explore the evolution and progression of Inner Mongolia's poetry criticism in the past 70 years from three aspects:the traditional aesthetic trend of Inner Mongolia's poetry criticism,the discourse construction of grassland criticism in the sense of ecological aesthetics and the aesthetic breakthrough of new grassland writing,so as to analyze the development path of group writing from grassland as the background to diversified individual writing,and provide reference and enlightenment for Inner Mongolia's poetry creation and research.

关 键 词：内蒙古诗歌 批评 审美 生态 新草原写作 

分 类 号：I207.22[文学—中国文学]