检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:张宁[1,2] 曾昀 ZHANG Ning;ZENG Yun(School of Humanities,Hunan City University,Yiyang,Hunan Province 413000;College of Liberal Arts,Hunan Normal University,Changsha,Hunan Province 410081)
机构地区:[1]湖南城市学院人文学院,湖南益阳413000 [2]湖南师范大学文学院,湖南长沙410081
出 处:《楚雄师范学院学报》2022年第5期33-38,共6页Journal of Chuxiong Normal University
基 金:湖南省社会科学基金项目“抗战时期旧体诗价值构成研究”(18YBQ016);中国博士后科学基金面上项目“抗日战争与现代旧体诗创作关系研究”(2020M672500)。
摘 要:抗战时期的旧体诗词对女性形象的塑造展示了人与自然、社会及文化的平衡状态被战争打破后女性的现实处境和精神生态,女性在特殊时代场域中的“存在”得到了观照;女性形象的摹画也折射出中国女性在抗战中的奉献精神,表达了人民反法西斯侵略的信念,抨击了上流社会的麻木和腐朽。当时旧体诗词对女性形象的书写拓展了自身创作的题材范围,也推进了中国现代文学有关女性与民族关系命题的探索。The portrayal of women’s images in the old style poems during the War against Japanese Aggression(1931-1945) showed women’s realistic situation and spiritual ecology after the balance between man and nature,society and culture was broken by the war.Meanwhile women’s “existence” in the field of war-torn times was observed.The depiction of female images also reflected the dedication of Chinese women in the war of resistance against Japan,expressed their anti-fascist beliefs,and attacked the numbness and decay of the upper class.The writing of female images in the old style poetry has expanded the subject range of its own creation and promoted the exploration of the subject of the relationship between women and nation in modern Chinese literature.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.117