明清时期才女作家“拟男”戏创作特征探析  

Analysis of the Creation Characteristics of Quasi-male Drama of Talented Female Writers in the Ming and Qing Dynasties

作　　者：唐钟禹 Tang Zhongyu(School of Art,Anhui University,Hefei Anhui 230601)

机构地区：[1]安徽大学艺术学院,安徽合肥230601

出　　处：《安徽警官职业学院学报》2022年第4期124-128,共5页Journal of Anhui Vocational College of Police Officers

摘　　要：明清时期,越礼逾制的“主情”思潮以及女学的兴起促使才女们涌现曲坛,她们以戏曲创作疏解饱受压抑的精神世界,从女性的视角展现对自我价值以及社会地位的思考,“拟男”成为她们戏曲创作的重要特征之一。通过寻找明清才女“拟男”戏的特征,探析女性作家寄托于曲中的隐秘心迹,借此窥探明清才女创作的戏曲史意义及其时代价值。During the Ming and Qing Dynasties,the ideological trend of overstepping rituals and system and the rise of women’s studies have prompted talented women to emerge in the opera world.They use opera creation to relieve their repressed spiritual world,and show their thoughts on self-worth and social status from the perspective of women.Quasi-male has become one of the important features of their opera creation.By looking for the characteristics of quasi-male dramas by talented women in the Ming and Qing Dynasties,the hidden feelings of female writers are analyzed,and the historical significance and era value of operas created by talented women in the Ming and Qing Dynasties are explored.

关 键 词：明清 女才 “拟男”戏 才女文化 

分 类 号：J805[艺术—戏剧戏曲]