宫苑丽人--明代仕女画对仇英绘画图像和色彩的套用  

A Study on the Numerous Paintings of Ladies that Imitate Qiu Ying’s Pattern and Color in the Ming Dynasty

作　　者：田雪婷 Tian Xueting(China Academy of Art,Hangzhou Zhejiang 310000)

机构地区：[1]中国美术学院,浙江杭州310000

出　　处：《流行色》2022年第9期76-78,共3页Fashion Color

摘　　要：明清时期有大量仕女画流向市场,这些作品的名称虽不尽相同,但宫苑的色彩和仕女的服装以及画面的布局结构都大致相仿。克利夫兰艺术博物馆藏有一幅题为盛懋的《宫女游园图》,与台北藏仇英《汉宫春晓图》在内容上极为相似,两者皆设色精丽,极尽工巧之事。除此之外,还有许多同时期仕女画的内容构成有着惊人的相似之处,通过对这些作品特点的比较分析,可以尝试性总结明代大量仕女画创作的图式规律,对深入了解明代书画市场有重要意义。The Cleveland Museum of Art has a painting of“Palace maid in the garden”with Sheng Mao written on it,which is very similar in content to“Spring Dawn in the Han Palace”of Qiu Ying in Taipei.Both of which are exquisitely colored and extremely ingenious.In addition,there are many contemporaneous paintings of ladies with striking similar content and composition.Through a comparative analysis of the similarities between the content and techniques in these works,it is possible to try to summarize the pattern rules of the creation of paintings of ladies in the Ming Dynasty,which is of great significance for in-depth understanding of the Ming Dynasty painting market.

关 键 词：仕女画 服装色彩 仇英 绘画图式 

分 类 号：J20[艺术—美术]