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作 者:戎恺凯 谢建明[2] RONG Kai-kai;XIE Jian-ming(School of Art,Southeast University,Nanjing 211189,China)
机构地区:[1]东南大学艺术学院,南京211189 [2]南京艺术学院党委,南京211189
出 处:《江苏行政学院学报》2022年第5期35-40,共6页The Journal of Jiangsu Administration Institute
摘 要:从某种程度上说,历史作为“不在场”的过去是难以重现的,而文化的内涵也会在不同的历史语境下发生转变。但艺术经典作为历史时间的现实载体,作为文化空间的审美图式,一定会在共时性和历时性的接受之维中保存对历史文化的丰富记忆,使我们在潜移默化中对其所承载的历史文化价值进行认同。因此,从历史时间与文化空间的视阈着眼,重新理解已经被我们“常识化”的艺术经典便不无意义。To some extent, history as an “absent” past is difficult to reproduce, and the connotation of culture will change in different historical contexts. However, the art classics as real carrier of historical time, and as aesthetic schema of the cultural space, will be able to achieve rich preservation of historical and cultural memory in the synchronic and diachronic dimension of acceptance, allowing us to recognize the historical and cultural values of its identity. Therefore, from the perspective of historical time and the cultural space, it is significant to understand the art classics which has been perceived by us as “common senses”.
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