悲剧与色彩的碰撞:丁尼生《女郎夏洛特》中的“艺格符换”  

The Exchange of Tragedy and Color: Ekphrastic Interaction of Tennyson’s The Lady of Shalott

作　　者：黄春兰 郑荣华[1] HUANG Chun-lan;ZHENG Rong-hua(College of Foreign Studies,Guangxi Normal University,Guilin Guangxi 541006)

机构地区：[1]广西师范大学外国语学院,广西桂林541006

出　　处：《牡丹江大学学报》2022年第11期24-31,共8页Journal of Mudanjiang University

基　　金：国家社科基金一般项目“詹姆斯·霍格的边境记忆与苏格兰城乡书写研究”(18BWW052)。

摘　　要：著名的中世纪传奇故事亚瑟王传说是西方文艺创作的重要母题之一,丁尼生诗作《女郎夏洛特》正是以其为蓝本所书写的。有关该诗作的批评研究并不多,且集中在女性主义、互文性和伦理观等,在探讨其跨艺术价值上还留有很大的空间。本文从跨艺术诗学的视角着手,运用美学中关于悲剧和色彩的知识研究诗作和与之相关的美术作品之间的往来与互动,剖析不同艺术媒介间的“艺格符换”给予读者/观者多层次解读与多重审美体验。The famous medieval legend, the legend of King Arthur, is one of the important motifs of western literary creation. Tennyson ’s poem The Lady of Shalott was written based on it. There are not many critics with studies about the poem, which mainly focus on feminism, intertextuality, and ethics, etc. Nevertheless, its inter-arts poetic value is yet to be further explored.This paper starts from the perspective of inter-arts poetics and uses the knowledge of tragedy and color in aesthetics to uncover the ekphrastic interaction between poetry and art works of the same motif, giving readers/viewers a multi-level interpretation and multiple aesthetic experiences.

关 键 词：阿尔弗雷德·丁尼生 《女郎夏洛特》 跨艺术诗学 “艺格符换” 

分 类 号：I0-05[文学—文学理论]