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作 者: 蒋海涛(译) David Damrosch;Jiang Haitao
机构地区:[1]哈佛大学比较文学系 [2]北京师范大学文学院
出 处:《文学与文化》2022年第3期115-122,共8页Literature and Culture Studies
摘 要:一般认为,世界文学空间大于个别民族的文学市场,世界文学可以被视为诸民族文学的集合体。本文从具体案例出发,分析了民族文学与世界文学之间重叠、纠缠的复杂关系,打破了两个领域泾渭分明的刻板印象。在国族层面,民族市场内部的世界文学不仅深刻塑造了边缘文化,很大程度上也影响了历史上宗主国的身份认同。在个体层面,许多民族文学作家的文化身份植根于跨文化经验。因此,突破传统的民族文学研究范式,不仅意味着揭示民族形式的世界主义风格,也意味着在民族市场内部重新检讨何为世界文学。It is generally supposed that as the aggregation of national literatures,world literature comprises various national markets.Based upon concrete case studies,this article illuminates the overlapping and intertwining relationship between national literature and world literature,breaking down the distinctive stereotypes of the two fields.In the national level,world literaturein national markets has contributed significantly to the construction of the peripheral cultures and the nationality literatures.In the individual level,there are many national authors whose cultural identities are rooted in the experience of hybridity.In these senses,taking the comparative views to innovate the traditional national paradigm could shed light on the cosmopolitan modes of national forms and re-examine the definition of world literature simultaneously.
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