论世界文学观念起源的后殖民因素  

Postcolonial Factors in the Origin of the Concept of World Literature

作　　者：李孟奇 Li Mengqi(School of Chinese Language and Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学文学院

出　　处：《外国文学研究》2022年第5期69-79,共11页Foreign Literature Studies

摘　　要：作为比较文学研究的重要分支,世界文学观念的起源伴随着殖民进程的开启与东方文本的欧洲流通,但是以卡萨诺瓦为代表的理论家在对世界文学观念进行理论溯源时,并没有对后殖民因素予以足够重视。将殖民历史、文本流通、东方主义机制等多重因素纳入世界文学观念的历史谱系,从而把歌德与马恩的世界文学观念还原至特定的后殖民语境之中,则可以在重新认识世界文学观念起源的基础上重塑19世纪世界文学的空间。此外,从比较文学学科与后殖民视角出发,将波斯奈特的世界文学观念列为与歌德、马恩并重的源头性文献,深入探讨其世界文学观念的价值中立原则与去中心化追求,则能够在新的视野下对波斯奈特的世界文学观念予以重新解读。The concept of world literature, as an important branch of comparative literature studies, was originated along with the beginning of colonization and the circulation of Oriental texts in Europe, but theorists like Casanova, Moretti, and Damrosch did not pay enough attention to the postcolonial factors in their theoretical tracing of the concept of world literature. If we incorporate multiple factors, such as colonial history, textual circulation, and the mechanism of Orientalism, into the historical genealogy of the concept of world literature and, thereby, restore Goethe’s, Marx and Engels’ concept of world literature in a specific postcolonial context, we can reconstruct the space of the 19th-century world literature by reconsidering the origin of the concept of world literature. In addition, we can also reinterpret Posnett’s concept of world literature in a new context if we not only explore his concept,along with that of Goethe, Marx, and Engels, as part of the origin, through a disciplinary approach of comparative literature and a postcolonial perspective, but also have an in-depth discussion about the two focal points in his concept, namely, the value-neutral principle and the decentering pursuit.

关 键 词：世界文学 后殖民主义 卡萨诺瓦 波斯奈特 

分 类 号：I0-03[文学—文学理论]