《伤逝》:空间场域的启蒙叙事  

Sorrow for the Past: Enlightening Narration of Space Field

作　　者：陈蘅瑾 曹晶晶 Chen Hengjin;Cao Jingjing(School of Humanities,Shaoxing University,Shaoxing 312000)

机构地区：[1]绍兴文理学院人文学院,绍兴312000

出　　处：《浙江社会科学》2022年第11期128-132,159,160,共7页Zhejiang Social Sciences

摘　　要：《伤逝》是鲁迅反思启蒙的经典之作。小说以手记的形式在“会馆”“家”和“图书馆”三个空间中展开叙述,文本中“会馆”是新旧文化的冲突场域,也是启蒙者反思的文化空间;“家”是理想与现实矛盾的呈现场域,亦是启蒙者个体价值追求在微型社会角力中失败的文化现场;“图书馆”是启蒙者现实羁绊的短暂逃离空间,也是其在现实的外部世界与理想的内在世界之间游离的心理场域。鲁迅以历史性启蒙与空间化结构融为一体的文本,开辟了启蒙叙事的新维度,也呈现了鲁迅对启蒙者反思之反思的新高度。Sorrow for the Past is a classic work of Lu Xun’s reflection on enlightenment.The novel is narrated in the form of handwritten notes in the three Spaces of“Guild hall”,“Home”and“Library”.In the text,“Guild hall”is the field of conflict between new and old cultures,and also the cultural space for enlighteners to reflect.“Home”is the field where the contradiction between ideal and reality is presented,and also the cultural scene where the individual value pursuit of enlightenment fails in the micro-social wrestling.“Library”is a temporary escape space in the realistic fetters of the enlightened person,as well as the psychological field of dissociation between the realistic external world and the ideal inner world.Lu Xun opened up a new dimension of enlightenment narration by integrating historical enlightenment and spatial structure,and also presented a new height of Lu Xun’s reflection on enlightenment.

关 键 词：启蒙 空间 会馆 “家” 图书馆 

分 类 号：I210.976[文学—中国文学]