张道一少数民族民艺思想探析  

An Analysis of ZHANG Daoyi's Ethnic Minority Folk Art Thought

作　　者：张犇 张磊[2] 

机构地区：[1]南京师范大学美术学院 [2]巢湖学院美术与设计学院

出　　处：《创意与设计》2022年第5期62-68,共7页Creation and Design

基　　金：国家社科基金艺术学项目(21BG112)。

摘　　要：少数民族民艺研究虽然不是张道一先生的重点研究关注领域,但对于少数民族民艺的关注和思考早已被纳入到张道一先生总体的民艺学术思想之中。张道一先生强调的在少数民族民艺研究中应秉持的“大民族观”“证据观”“文献观”等观点,对于少数民族传统民艺研究不仅具有明确的针对性和成效性,对于当下少数民族民艺发展与创新依然具有方向性的引领功能,体现出张道一先生对于中国传统民艺研究的宏观性观照和在学术研究领域的卓越地位。Although the study of ethnic minority folk art is not the focus of Pro.ZHANG Daoyi's research,the concern and thinking of ethnic minority folk art have been incorporated into Pro.ZHANG Daoyi's overall academic thought of folk art.Pro.ZHANG Daoyi's emphasis on the"big nation view","evidence view"and"literature view"which should be upheld in the study of ethnic minority folk art not only has clear pertinence and effectiveness for the study of ethnic minority traditional folk art,but also has a directional leading function for the development and innovation of ethnic minority folk art.It reflects Pro.ZHANG Daoyi's macroscopic observation on the study of Chinese traditional folk art and his unparalleled preeminence in the academic field.

关 键 词：张道一 少数民族 民艺思想 

分 类 号：J0[艺术—艺术理论]