王保忠《甘家洼风景》的语言艺术魅力  

The Language Artistic Charm of Wang Baozhong’s Ganjiawa’s Scenery

作　　者：方洁 彭栓红[1] FANG Jie;PENG Shuan-hong(School of Literature,Shanxi Datong University,Datong Shanxi,037009)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《山西大同大学学报（社会科学版）》2022年第5期85-89,103,共6页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西大同大学2021年研究生教育创新项目“乡村变迁与晋北作家小说的地方表达”(21CX26)。

摘　　要：作为土生土长的山西作家,王保忠延续着赵树理和“山药蛋派”的乡土风格。他出身农村,始终坚守农民的立场,探寻城市化进程下的农民和农村现状,《甘家洼风景》在故事叙事中渗透着作家强烈的乡土问题意识和对农村未来的思考。小说运用富有晋北特色的方言俗语、重叠词,穿插农民幽默诙谐、生活化的口语,长短句交错,再结合生动形象的比喻,意味深长的反复等修辞,让读者品味小说语言艺术的同时,又领略到浓郁的晋北乡土文化,体会到作家对农村、农民的深层思考。这正是王保忠小说雅俗共赏的语言艺术魅力所在。As a local writer in Shanxi Province, Wang Baozhong continues the local style of Zhao Shuli and Potato Literary School. As a rural people, he always sticks to the position of peasants and explores the current situation of peasants and rural areas in the process of urbanization. Ganjiawa’s Scenery is permeated with the writer’s strong consciousness of local problems and thinking about the future of rural areas. The novel uses dialect idioms and reduplicated words with rich characteristics of northern Shanxi, interspersed with peasants’ humorous and life-oriented spoken language, long and short sentences interlaced, and then combined with vivid metaphor, meaningful repetition and other rhetoric, so that readers can taste the language art of the novel, appreciate the rich local culture of northern Shanxi, and experience the writer’s deep thinking about rural areas and peasants. This is the charm of language art in Wang Baozhong’s novels.

关 键 词：王保忠 《甘家洼风景》 农村 农民 语言艺术 

分 类 号：I207.42[文学—中国文学]