中国园林古琴活动的文化意象及其空间组织  

Research on Cultural Images and Spatial Organization of Ancient Qin Activities in Chinese Gardens

作　　者：汤思琦 彭浪 毛华松[3] TANG Siqi;PENG Lang;MAO Huasong

机构地区：[1]重庆大学建筑城规学院,重庆400030 [2]重庆大学建筑规划设计研究总院有限公司,重庆400030 [3]重庆大学建筑城规学院、城乡生态环境实验室、山地城镇建设与新技术教育部重点实验室,重庆400030

出　　处：《中国园林》2022年第10期139-144,共6页Chinese Landscape Architecture

基　　金：国家自然科学基金面上项目“宋代城市风景的营建机制及空间模式研究”(编号51878087)资助。

摘　　要：作为“琴棋书画”之首,古琴与其相关的抚琴、听琴等活动,是中国古代山水与园林中的重要活动,塑造了以古琴为主题的园林空间与园林意境。基于古琴活动的图文史料和园林实存,通过图文互证的方法,归纳了古琴活动文化意象从神性到诗性的变迁历程,以及此历程推动下的活动方式雅化和活动场所范式化。最后从古琴声音审美的“和”“静”“清”“远”4个方面,总结了园林古琴声景空间组织的典型方式。探索了古琴活动文化内涵和空间场所的耦合关系,对理解中国园林的内在形成机制具有积极意义。As the first of"qin,chess,calligraphy,and painting",the ancient qin(lyre)and its related activities such as playing and listening to the qin are important activities in ancient Chinese landscape and gardens,shaping the space and artistic concept of gardens with the qin as the theme.Based on the graphic historical materials of ancient qin activities and the existence of gardens in Ming and Qing Dynasties,this paper summarizes the transformation process of the cultural image of ancient qin activities from the divine to the poetic,and the refinement of the activity mode and the formalization of the activity place driven by this process.Finally,from four aspects of aesthetic sound of ancient qin,namely"harmony","quiet","clear"and"far",this paper summarizes the typical ways of spatial organization of landscape soundscape of ancient qin in gardens.The study explores the cultural connotation of ancient qin activity and the coupling relationship between space and place,which is of positive significance to the understanding of the internal formation mechanism of Chinese gardens.

关 键 词：风景园林 中国古典园林 古琴 园林活动 园林空间 空间形塑 

分 类 号：TU986[建筑科学—城市规划与设计]