八大山人晚年山水册笔墨形式的艺术特征研究  

Study on the Artistic Characteristics of Brush and Ink Forms of Badashanren's Landscape Paintings in His Later Years

作　　者：王安娜 郑炜[1] Wang Ana;Zheng Wei(Jiangxi Science and Technology Normal University,Nanchang 330008,P.R.China)

机构地区：[1]江西科技师范大学,江西南昌330008

出　　处：《江西科技师范大学学报》2022年第4期109-116,共8页Journal of Jiangxi Science & Technology Normal University

基　　金：2017年江西省文化艺术科学规划项目“八大山人绘画中的浪漫情怀研究”(基地项目)(编号:YG2017054B);2019年省级科研平台开放基金项目立项课题“八大山人绘画中的浪漫情怀研究”(编号:KFGJ18034)。主持人:王安娜。

摘　　要：笔墨形式主要包括笔墨的形态、法则、色彩及图式,是传达画家创作理念、表现物像形态和样式的语言。以笔墨形式分析八大山人晚年创作的山水册:趋于平面构成式的透视法、抽象化的图式、高度简化的物像结构,和西方现代派绘画的特征有相似之处。这些特征所对应的表现体系与内涵,可以成为现代水墨画“继承”与“创新”研究的交叉点,对创作现代水墨画有一定的启示。the form of brush and ink mainly includes the form,law,color and schema of brush and ink.It is the language to convey the painter's creation idea and to express the form and style of objects.In the form of brush and ink,the paintings of mountains and waters created by Badashanren in his later years had some similarities with the features of western modern paintings,such as the perspective of plane composition,abstract schema and highly simplified object structure.The corresponding expression system and connotation of these characteristics could become the intersection of the study of"inheritance"and"innovation"of modern ink painting,which has certain enlightenment for the creation of modern ink painting.

关 键 词：八大山人 山水画 平面化 抽象化 

分 类 号：J05[艺术—艺术理论]