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作 者:赵峻[1] ZHAO Jun(School of Literature,Huaiyin Normal University,Huai'an,Jiangsu 223300)
出 处:《淮阴师范学院学报(哲学社会科学版)》2022年第6期595-602,648,共9页Journal of Huaiyin Teachers College(Social Sciences Edition)
摘 要:王尔德所提倡的审美伦理,不仅仅是倡导艺术自主自律和生活艺术化,还包涵伦理学意义上的新阈值,即他对传统伦理价值所做的颠覆和挑战。与他的唯美主义思想相对应的是,王尔德极为重视个体生命的生存体验。从某种意义上来说,他以艺术至上为矛亦为盾,为个体摆脱旧伦理道德束缚作冲击和掩护。他作品中对各种伦理境遇的考量,勘探了时代变化中伦理边界的位移。历史上的文化先行者在其生存的时代常被传统价值误判为堕落。王尔德作品中的伦理探险虽在当时以向下的方向呈现,其自主性、本真性和居间性实为对新伦理阈值的敏锐感知和坚定表现,因其在人类伦理发展史上的先驱性获得了一定的崇高意义,并以其标示出的“边界”问题对当下人类伦理境况有所启发。The aesthetic ethics advocated by Wilde not only advocates the artistic self-disciplining and the artistic life, but also contains the new threshold in the sense of ethics,that is, the subversion and challenge he has done to the traditional ethical values. Correspond to his aestheticism, Wilde attaches great importance to the survival experience of individual life. In a sense, he uses the " Art for Art’s sake" as both a spear and a shield to provide shocks and cover for individuals to get rid of the shackles of old ethics and morals. The consideration of various ethical situations in his works explores the shift of ethical boundaries in the transformation of times. The cultural forerunner in history was often misjudged as a degenerate by traditional values in his times.Although the ethical exploration in Wilde’s works was presented in a downward direction at his time, its independency, authenticity, and intermediacy were in fact a keen perception and firm performance of the new ethical threshold, which has a certain lofty meaning because of its pioneering quality in the ethical history of human beings, and is inspiring the current human ethical situation by its "boundary" issue.
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