重估中国神话“零散”之问——从典籍到数字媒介的神话谱系化实践  

Reassessment of the Issues about the“Fragmentation”of Chinese Myth:The Practice of Myth Genealogy from Classics to Digital Media

作　　者：张多 ZHANG Duo(School of Chinese Language and Literature,Yunnan University,Kunming,650091)

机构地区：[1]云南大学文学院

出　　处：《云南社会科学》2022年第6期178-185,共8页Social Sciences in Yunnan

基　　金：国家社会科学基金重大项目“中国神话资源的创造性转化与当代神话学的体系建构”(项目号:18ZDA268)的阶段性成果。

摘　　要：在中国神话学百年来的学术脉络中,始终伴随着“中国神话不成体系”的疑问和缺憾。这种因西学舶来而产生的文化观念错位,直到袁珂等人进行神话书写才得以部分纠偏。无论是研究者对“神话历史化”问题的解析,还是神话书写者的谱系化写作实践,都体现出将西方神话学本土化的努力。但真正意义上完成观念转变的,是技术迭代之后数字媒介的内容创作者们。在以抖音短视频为代表的神话系列创作中,中国神话内蕴的叙述魅力被激活。在新语境中,西方神话须有“神谱”的刻板面孔被解构,数字媒介的“文化之谱”被构筑起来。In the academic context of Chinese mythology over the past hundred years,there have always been queries and regrets about“Chinese mythology has no genealogy”.It was not until scholars like Yuan Ke who wrote the genealogy of myth that this misplacement of cultural concepts caused by western academic concepts was partially corrected.Both the researchers’analysis of“historization of myths”and the genealogical writing practice of myth writers reflect the efforts to transfer the localization of western mythology.However,it is the content creators of digital media after the technological iteration who have completed the conceptual transformation in the real sense.In the creation of myth series represented by short videos in TikTok,the narrative charm of Chinese mythology has been activated.In the new context,mythology needs to have a stereotyped face of“divine genealogy”to be deconstructed,and the“cultural genealogy”of digital media to be constructed.

关 键 词：神话谱系 文化自信 短视频 数字媒介 神话历史化 

分 类 号：I207.73[文学—中国文学]