当代电子游戏对盘古神话的重构——以《王者荣耀》为例  

Reconstruction of Pangu Myth by Contemporary Video Games--Take Glory of Kings as an example

作　　者：刘天一 LIU Tian-yi(College of Arts,Guangxi Normal University,Guilin 541000,Guangxi,China)

机构地区：[1]广西师范大学文学院,广西桂林541000

出　　处：《韶关学院学报》2022年第10期24-28,共5页Journal of Shaoguan University

基　　金：2021年广西师范大学研究生教育创新计划项目“广西盘古文化符号的生产与传承”(XYCSR2021024)。

摘　　要：在当代媒介技术的加持下,古代典籍中记录的盘古神话渐渐脱离原貌,在近年来出现的电子游戏中被重新建构,尤以《王者荣耀》为典型。该游戏对盘古神话进行了颠覆性重构,与古籍原文对比后可知,其重构策略可归纳为游戏背景文本的神话重写与游戏声画的形象再塑。由此,神话元素获得立体式的激活、神话所蕴含的人本思想和反抗精神获得保留与延伸、神话功能发生了从树立信仰的神圣性向疏解压力的娱乐性转变。With the blessing of contemporary media technology,the Pangu myths recorded in ancient classics gradually break away from the original appearance and have been reconstructed in the video games that appeared in recent years,especially the Glory of Kings.The game has carried out a subversive reconstruction of the Pangu mythology.After comparing with the original text of the ancient books,it can be seen that its reconstruction strategy can be summarized as the rewriting of the myth of the background text of the game and the image reshaping of the sound and picture of the game.As a result,the mythological elements have been three-dimensionally activated,the humanistic thought and the spirit of resistance contained in the myths have been retained and extended,and the function of myths has also undergone a transformation from the sacredness of establishing beliefs to the entertainment of stress relief.

关 键 词：盘古神话 神话主义 电子游戏 《王者荣耀》 

分 类 号：I207[文学—中国文学]