论蒋蓝“天府广记三部曲”中的“巴蜀精神”  

Ba Shu Spirit" in Jiang Lan’s "Tianfu Guang Ji Trilogy

作　　者：宋甜 周毅[1] SONG Tian;ZHOU Yi(Literature and Mass Media Faculty,Sichuan University,Chengdu Sichuan 610000,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610000

出　　处：《乐山师范学院学报》2022年第10期16-20,共5页Journal of Leshan Normal University

基　　金：四川大学中央高校基本科研业务研究专项(哲学社会科学)项目“21世纪中国文学史论”(skcb201401)。

摘　　要：蒋蓝的散文书写彰显了独特的“巴蜀精神”,集中体现在其“天府广记三部曲”中。一方面,从蒋蓝笔下品类丰富,并且受到异域文化影响的风物描写中体现出海纳百川的巴蜀包容精神;另一方面,从蒋蓝笔下本地蜀人和外地入蜀人的故事叙述中可以窥见才情与风骨兼具的巴蜀英雄精神。此外,从形式上来说,蒋蓝这种非虚构的、文学人类学式的写作本身一方面体现了革故鼎新的巴蜀先锋精神,另一方面也开启了一种散文写作的新向度——历史地域文化散文,从而使散文同时具有了时间上的历史纵深感和空间上的文化凝聚力。Jiang Lan’s prose writing shows the unique"Ba Shu spirit",which is mainly reflected in his"Tianfu Guang Ji Trilogy".On the one hand,from Jiang Lan’s description of the scenery with rich categories and influenced by foreign culture,it reflects the inclusive spirit of Ba Shu;on the other hand,we can see the Ba Shu heroic spirit with talent and strength of character from the stories of both local people and foreign people written by Jiang Lan.In addition,in terms of form,Jiang Lan's nonfictional and literary anthropological writing itself,on the one hand,reflects the revolutionary Ba Shu pioneer spirit;on the other hand,it also opens a new dimension of prose writing:historical and regional cultural prose,so that the prose has both historical depth in time and cultural cohesion in space.

关 键 词：蒋蓝 天府广记三部曲 巴蜀精神 

分 类 号：I06[文学—文学理论]