航海与英格兰民族国家意识构建--以莎士比亚的《暴风雨》为例  

Voyage and Construction of England’s National Consciousness--A Case Study of Shakespeare’s The Tempest

作　　者：杨莹璐 王永梅[1] YANG Yinglu;WANG Yongmei(College of International Studies,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学外国语学院,重庆400715

出　　处：《浙江海洋大学学报（人文科学版）》2022年第5期75-80,共6页Journal of Zhejiang Ocean University(Humanities Sciences)

基　　金：国家社会科学基金一般项目“英国文艺复兴时期戏剧阅读及其影响研究”(编号:19BWW080);中央高校基本科研业务费项目“欧美文学的前沿性研究”(编号:SWU1709121)的阶段性成果。

摘　　要：航海叙事在西方源远流长,是观察人物进行远距离位移,从海外为民族国家获取蜕变契机的经典视角。作为海上民族,英格兰的国家发展与航海密不可分。自都铎王朝伊始英格兰逐渐唤醒民族身份并把目光投向海平线起,远洋航行成为其发展的必经之路。莎士比亚的《暴风雨》围绕海船和海岛两大航海要素讲述被打断的一次跨国航行,以人物的航海经历反映英格兰在海外扩张上升期的民族国家构建。航行中的王船作为城邦之舟的变形,映射了十六七世纪的英格兰如何依托岛屿,以海洋主权、海洋经济、海洋身份浇灌其民族国家意识。The voyage narrative has a long history in the Western literary tradition.It is a classic view through which characters can be observed how to move far away and obtain opportunities for the transformation of their nations from overseas experiences.As a nation surrounded by sea,England’s national development is inseparable from voyage.Since the beginning of the Tudor Dynasty when England gradually awakened its national identity and turned its attention from Europe to the sea horizon,nautical navigation has become the only way for England to develop.Shakespeare’s The Tempest unfolds an interrupted cross-border voyage by focusing on the ship and the island as two elements to reveal England’s national construction in the rising phase of overseas expansion through the characters’sailing experience.The royal vessel in the voyage,being the embodiment of the city-state ship,reflects how England relies on maritime politics,economy and identity to nourish its national consciousness based on islands in the sixteenth and seventeenth centuries.

关 键 词：莎士比亚 《暴风雨》 航海 民族国家意识 构建 

分 类 号：I561.073[文学—其他各国文学]