坪井浩尚樱花杯的设计美学分析  

ANALYSIS OF DESIGN AESTHETICS OF KOSHO TSUBOI’S SAKURASAKU GLASS

作　　者：崔书铭 何佳[1] CUI SHUMING;HE JIA

机构地区：[1]南京林业大学

出　　处：《设计》2022年第22期158-160,共3页Design

摘　　要：本文在全球设计多元化背景之下,对日本设计师坪井浩尚的代表作樱花杯进行设计美学分析。依附于设计师自身美学思想的特点,以樱花杯个例为讨论对象。从设计美学的角度解读设计作品如何体现民族性文化,对民族传统美学观念的现代化提出一定的见解。我们应该立足于本民族的核心文化和价值,提高创新力的同时并对设计师的自身素养提出了更高的要求,对当下民族文化的振兴有着重要的借鉴价值和意义。Under the background of global design diversification,this article analyzes the design aesthetics of the representative work of Japanese designer Kosho Tsuboi,the SAKURASAKU Glass. Relying on the traditional Japanese aesthetic concept,taking the SAKURASAKU Glass as the object of discussion. Interpreting how the design works concertize abstract concepts from the perspective of design aesthetics,and put forward certain insights into the modernization of traditional national aesthetic concepts. It is concluded that we should base ourselves on the core culture and value of our nation,improve our creativity,and at the same time put forward higher requirements for the designer’s own quality,which has important reference value and significance for the revitalization of the current national culture.

关 键 词：日本设计 设计美学 坪井浩尚 传统与现代 民族性 

分 类 号：J05[艺术—艺术理论]