英伽登“时间透视”理论中的“动力现象”  

Research on the “Dynamic Phenomenon” in Roman Ingarden's “Temporal Perspective” Theory

作　　者：杨宇 YANG Yu(School of Culture and Health Communication,Tianjin University of Traditional Chinese Medicine,Tianjin 300450,China)

机构地区：[1]天津中医药大学文化与健康传播学院,天津300450

出　　处：《沈阳大学学报（社会科学版）》2022年第6期670-680,共11页Journal of Shenyang University:Social Science

基　　金：天津中医药大学“雏鹰计划”科研项目(XJS220122)。

摘　　要：研究了英伽登“时间透视”理论中“动力现象”的发生结构及其价值意义。英伽登在论及文学作品“具体化”过程时提到了“时间透视”现象,这一现象对于文学作品的审美理解和接受有重要影响,在此基础上,探索了发生于其中却又不易被察觉的文学审美现象--“动力现象”。认为这一现象背后有其独特的发生结构:文学作品和读者是该现象得以发生的动力源头,积极记忆和时间距离是影响其发展的变量因素。“动力现象”的发生使得“具体化”具备了跃动的品格,对于审美地理解艺术性文学作品具有重要的意义。This paper studies the occurrence structure and value significance of“dynamic phenomena”in Ingarden's“temporal perspective”theory.Ingarden mentioned the phenomenon of“temporal perspective”when discussing the process of“reification”of literary works,which has an important impact on the aesthetic understanding and acceptance of literary works,and on this basis,it explores the literary aesthetic phenomenon that occurs in it but is not easy to be noticed—“dynamic phenomenon”.It believes that there is a unique occurrence structure behind this phenomenon:literary works and readers are the source of power for the phenomenon to occur,and positive memory and time distance are the variable factors affecting its development.The occurrence of“dynamic phenomenon”makes“reification”have a dynamic character,which is of great significance to the aesthetic understanding of artistic literary works.

关 键 词：动力现象 时间透视 积极记忆 时间距离 

分 类 号：I0-02[文学—文学理论]