关于“世纪恩怨”的始末及思辨  

The Whole Story and Speculation of "Gratitude and Resentment in the 20th Century"

作　　者：冯健亲[1] Feng Jianqin

机构地区：[1]南京艺术学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2022年第6期13-24,I0006,共13页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：徐悲鸿与刘海粟是中国近现代美术史上的两位重量级人物,二人在历史进程有过诸多交集,也存在着艺术观念上的显著差异,后却被演绎成一组水火不容的“世纪恩怨”关系。事实上,这一系列“恩怨”的来胧去脉均有据可查。将相关史料予以厘清,还原其真实始末和缘由,既有利于此二人真实形象的呈现,也是史学研究所应当秉持的严谨态度。Xu Beihong and Liu Haisu were two important figures in the history of modern Chinese art.They had many intersections in the historical process,and there were also significant differences in their artistic concepts,but they were interpreted as with a relationship of "gratitude and resentment in the 20 th Century",incompatible with each other.In fact,the origin and evolution of the series of "gratitude and resentment" were well documented.The clarification of relevant historical materials and the restoration of their true origins and causes are not only conducive to the presentation of the two figures’ true images,but also a rigorous attitude that historical research institutes should uphold.

关 键 词：徐悲鸿 刘海粟 世纪恩怨 始末 思辨 

分 类 号：J203[艺术—美术]