藏族传统音乐研究中的原创性学术观点评析  

Evaluation and Analysis of Original Academic Views in Tibetan Tradition Music Research

作　　者：扎西东珠 Drashi Dondrub(School of Art,Tibet University,Lhasa,Tibet 850000)

机构地区：[1]西藏大学艺术学院,西藏拉萨850000

出　　处：《西藏大学学报（社会科学版）》2022年第3期122-129,共8页Journal of Tibet University

基　　金：2019年度西藏大学博士研究生高水平人才培养计划项目“藏族传统音乐研究中的原创性学术观点”阶段性成果,项目号:2019-GSP-B022。

摘　　要：原创性学术观点不仅是学者个人学术成就的具体体现,也是学术成果中最具洞见的部分。但学界对相关学术观点所内具的学术价值缺乏必要的评析与阐释,这不得不说是一种缺失或遗憾。文章对藏族传统音乐研究中的原创性学术观点进行了必要的梳理,以期为藏族音乐研究的理论建构及研究视角的不断拓宽,归纳出引以为据的学术观点和用来借鉴的方法路径。Original academic views are not only the concrete embodiment of individual academic achievements,but also the most insightful part of academic achievements.However,in the academic circles,necessary evaluation,analysis and interpretation have not been done on the academic value of the relevant academic views,which must be a deficiency.This article summarizes the original academic viewpoints in the studies of the Tibetan traditional music in order to generalize the academic viewpoints and methods for reference for the theoretical construction and researchperspectives of the studies of theTibetan music.

关 键 词：藏族音乐 原创性观点 人文理念 审美 

分 类 号：J609.2[艺术—音乐]