汉代四神纹在现代中式男装设计中的创新设计运用  

The Innovative Design Application of the Han Dynasty Four Gods Pattern in Modern Chinese Menswear Design

作　　者：刘冰冰[1] 冯镭 Liu Bingbing;Feng Lei

机构地区：[1]西安工程大学服装与艺术设计学院

出　　处：《服装设计师》2022年第12期100-106,共7页Fashion China

基　　金：陕西省社会科学基金年度项目“关中地区出土文物中的汉代服饰研究”(项目编号2020J035)。

摘　　要：汉代是我国历史上发展兴盛的时代,随着神仙思想、阴阳五行说等理论的流行,使得四神纹在汉代飞速发展,且广泛运用在各个方面,其构图形式简单、线条流畅,极具韵味。本文从设计的角度,通过对四神纹的构图形式分析并且列举各种实例,深入了解汉代四神纹的含义、图形构成以及其文化内涵,并以四神纹为设计元素,加入现代创新设计手法,将四神纹以一种既传统又现代的形式运用在现代中式男装设计中,实现传统文化与现代设计风格的完美融合,从而设计达到从形神两方面体现四神纹的魅力,并让更多的人关注并喜爱汉文化。The Han Dynasty is the era of development and prosperity in China’s history,with the popularity of theories such as immortal thought and yin and yang five elements theory,the four god patterns developed rapidly in the Han Dynasty,and were widely used in all aspects,and their composition forms were simple,the lines were smooth,and they were very charming.From the perspective of design,through the analysis of the composition form of the four gods and the enumeration of various examples,this article deeply understands the meaning,graphic composition and cultural connotation of the four gods of the Han Dynasty,and takes the four gods as the design element,adds modern innovative design techniques,and applies the four gods in a traditional and modern form in the modern Chinese men’s clothing design,so as to achieve the perfect integration of traditional culture and modern design style,so that the design can achieve the charm of the four gods from the two aspects of shape and god,and let more people pay attention to and love Han culture.

关 键 词：形式运用 阴阳五行说 男装设计 神仙思想 设计元素 设计运用 构图形式 现代中式 

分 类 号：G63[文化科学—教育学]