费舍尔:一个人的东亚艺术博物馆  

Adolf Fisher:The Founder of an Independent East Asian Art Museum

作　　者：王维江[1] Wang Weijiang(Department of History,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学历史学系,上海200433

出　　处：《复旦学报（社会科学版）》2022年第5期79-92,共14页Fudan Journal（Social Sciences）

摘　　要：一个生于维也纳大工业家家庭的奥地利人,却毕生致力于在德国收藏东亚艺术品和创建一座独立的东亚艺术博物馆,由此成为该领域的重要先驱和传奇人物。与维也纳分离派的密切交往,影响到他对日、中艺术的理解及创建博物馆的实践,也形塑了他的收藏路径和研究方法,并与德国国家博物馆和大学的权威学者形成差异、遭到排斥。作为外交官在华居住的三年,他勤奋学习中文,编织人脉网络,开拓收藏渠道。虽然所购中国文物并非顶级,但最终凭借一己之力,在德国建成第一座东亚艺术博物馆,影响至今。Adolf Fisher,an Austrian who was born in a large famous industrialist family in Vienna,has devoted his life to collecting East Asian artworks and establishing an independent East Asian art museum for Germany,thus he had become an important pioneer and legend in this field.He was close to painters of the Vienna Secession,which influenced his understanding of Japanese and Chinese art as well as the practice of establishing a museum.As a result,his collecting path and research methods differ from the authoritative scholars of the German National Museums and universities,so that he was rejected by them.During the three years living in China as a diplomat,he studied Chinese diligently,weaved a business network and found new purchasing channels.Although his collections were not in toplevel,he has eventually created the first East Asian Art Museum in Germany on his own,which has great impact until today.

关 键 词：费舍尔 维也纳分离派 中国艺术品 科隆东亚艺术博物馆 

分 类 号：J114[艺术—艺术理论]