文献纪录片的叙事新样态——以《风云江城——1927中共中央在武汉》为例  

A New Narrative Style of Docudrama:A Case Study of "CPC Central Committee in Wuhan in 1927"

作　　者：李沁格 赖晓路 胡轩 LI Qin'ge;LAI Xiaolu;HU Xuan

机构地区：[1]武汉设计工程学院成龙影视传媒学院,湖北武汉430202 [2]湖北广播电视台电视综合频道,湖北武汉430071

出　　处：《决策与信息》2022年第12期85-92,共8页Decision & Information

基　　金：2020年度武汉设计工程学院校级科学研究项目“影视叙事元素在舞台剧本改编中的解析与重构研究”(编号:k202001)阶段性成果。

摘　　要：在中国共产党建党100周年之际,全国创作推出了许多优秀党史题材纪录片。其中,由湖北推出的四集文献纪录片《风云江城——1927中共中央在武汉》展现出了崭新的叙事样态。其以文本叙事的视点转移,由外聚焦叙事转为内聚焦叙事,更易使观众情感投射。在影像造型上进行大胆尝试,用写意的艺术手法与创新的技术手段使画面迸发出情感张力。多元化的叙事方式与策略,丰富了文献纪录片的表达模式,成为党史文献类纪录片的一次成功创新,扩展了文献纪录片的内涵和外延,塑造了丰富、动人、鲜活、亲切的革命先辈形象,在新时代语境下,更易吸引年轻观众,达到了良好的“年轻化”传播效果,为党史文献纪录片的未来创作提供了可资借鉴的策略及导向。To celebrate the 100th anniversary of the founding of the Communist Party of China, an array of documentaries on the Party history have been created and released. Among them, the four-episode docudrama“CPC Central Committee in Wuhan in 1927”launched by Hubei shows a new type of narration. It shifts from external narration to internal narration, which makes it easier for the audience to get emotionally involved. Its bold attempt in visual design by making use of the freehand artistic techniques and innovative technical means, makes each frame a powerful medium of expression. The diversified narrative methods and strategies have enriched the expression mode of this docudrama, making it a a successful docudrama case in the light of innovation on the Party history. It has expanded the connotation and extension of the docudrama, and has presented comprehensive,convincing, vivid and cordial images of the older generation of revolutionaries. In the context of the new era, it is easier to attract young audiences, which shed light on the creation of docudramas on the Party history in the future.

关 键 词：文献纪录片 文本叙事 影像造型 

分 类 号：G222.3[文化科学]