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作 者:汤蕾 Tang Lei(Institute of New Poetry of China,Southwest University,Chong Qing 400715)
出 处:《鹿城学刊》2022年第3期12-17,共6页Journal of Lucheng
摘 要:自由新诗与格律新诗自发生以来就争论不断。自由与格律是相对的,也是并存的,如何进行诗体重建仍然需要不断的理论与创作实践探索。自由新诗与格律新诗在诗行排列、节奏音韵等形式方面各有优势与局限。百年来,自由新诗与格律新诗针对节奏、音韵等形式问题争论不断,部分自由体诗人也对自由新诗的形式问题进行反省、纠正。现代格律诗学受到越来越多关注,成为新诗发展的的新趋向。Free new poetry and metrical new poetry have been in dispute ever since their occurrence.How to reconstruct poetic style still needs continuous exploration of theory and creative practice.Free new poetry and metrical new poetry have their own advantages and limitations in line arrangement,rhythm and rhythm.In the past hundred years,there has been a continuous debate between new poetry and metrical new poetry on the form problems such as rhythm and rhyme of new poetry.Some free poets also reflect on and correct the form problems of free poetry.Metrical poetics has attracted more and more attention and become an important trend in the development of new poetry.
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