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作 者:陈娟 CHEN Juan(Department of Chinese Language and Literature,East China Normal University,Shanghai 200241,China)
机构地区:[1]华东师范大学中国语言文学系,上海200241
出 处:《贵州大学学报(艺术版)》2022年第6期27-32,共6页Journal of Guizhou University Art Edition
基 金:国家社科基金重大项目“美学与艺术学关键词研究”(项目编号:17DA017)。
摘 要:中国文学有着悠久的叙事传统,这一传统由系列叙事作品和对叙事的理论陈述共同组成。就发展时期而言,先秦两汉时期是叙事传统的发生期,魏晋南北朝至唐宋时期是叙事传统的发展与成熟期,明清时期则是叙事传统在古典文学中的全盛和总结时期。从叙事作品的涵盖范围来看,“叙事”超越并贯通多种文体,涉及到史传、散文、乐府、赋、志怪小说、诗歌、古文、传奇小说、词、戏曲、杂剧、平话、文言小说、白话小说等几乎全部文类。从理论陈述的内容来看,中国古人从叙事实际出发对叙事规律进行总结和分析,既包括对“叙”的手法的归纳,也包括对“事”与文学之关系的辩证思考。Chinese literature has a long narrative tradition, which is composed of a series of narrative works and theoretical elaborations on narratives. As far as development stages are concerned, the pre-Qin and Han Dynasties are the period for Chinese narrative tradition to emerge, then Wei, Jin, Southern and Northern Dynasties till to the Tang and Song Dynasties are the period for its development and maturity, and later the Ming and Qing Dynasties are its heyday and final stage. From the types of narrative works, the “narrative” transcends and runs through a variety of genres, involving almost all genres of literature, such as, historical biography, prose, poetry, mystery and supernatural stories, ancient prose, legend, opera, poetic drama, popular stories, classical Chinese novels, vernacular novels, etc. From the theoretical elaborations, the ancient Chinese summarized and analyzed the narrative principles from the narrative practices, which ranged from the induction of “narrative” techniques and the dialectical views on the relationship between the “events” and the literature.
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