20世纪五六十年代工笔重彩人物画概念的生成与实践  

The Emergence and Practice of Concepts of Heavy-color Meticulous Figure Paintings in the 1950s and the 1960s

作　　者：李泽卿 Li Zeqing

机构地区：[1]清华大学美术学院

出　　处：《美术》2022年第11期139-141,共3页Art Magazine

摘　　要：当下,在关于工笔重彩人物画的历史梳理中存在一种矛盾的现象,即讨论者的目光往往聚焦于建构它的传统和当代的艺术价值,但对工笔重彩人物画概念真正生成的20世纪五六十年代却言之甚少。本文认为工笔重彩人物画概念的生成不能被简单视为一种中国画风格的自律性发展,更不能脱离其概念产生的具体历史情境而进行先入为主的想象。At present, there is a paradox in analyzing the history of heavy-color meticulous figure paintings, namely placing their traditions and artistic value in the contemporary era under spotlight while focusing less on the emergence of their concepts in the 1950s and the 1960s. This paper believes that the emergence of the concepts cannot be simply considered as a result of the autonomous development of Chinese paintings, nor should we imagine the concepts out of the historical context in which they developed.

关 键 词：工笔重彩 人物画 新年画 新国画 知识生成 

分 类 号：J205[艺术—美术]