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作 者:曹英才 Cao Yingcai(Folk Culture Research Center,Mianyang Teachers’College)
机构地区:[1]绵阳师范学院民间文化研究中心
出 处:《中国舞蹈学》2022年第1期115-154,348,349,共42页CHOREOLOGY IN CHINA
基 金:国家社会科学基金艺术学项目“藏族舞蹈口述史”(编号:19BE068)的阶段性成果;绵阳师范学院2021年科研启动项目(编号:QD2021B02)的阶段性成果。
摘 要:舟曲藏族具有丰富、独具特色的传统文化艺术。朵迪是其中的艺术精粹,它是集史、歌、诗、舞等于一体的综合性极强的传统民间舞。其一,朵迪内容上,大至开天辟地,小到生活约规;其二,朵迪唱词上,既有追溯历史的,又有传颂功德的;其三,朵迪形式上,不仅再现战事情景,而且模拟动物姿态。朵迪历史悠久,类型丰厚,颇具文化内涵和艺术特质。朵迪舞作为舟曲藏族传统民间歌舞的典型代表,随着时代不断发展,面临传承断层、后继乏人的尴尬境地。为促进朵迪的整体性保护、传承、发展,本文提出可持续发展的保护理念,以期对藏族文化艺术和中华民族文化艺术研究提供一定的参考和借鉴价值。Zhouqu Tibetans have rich and unique traditional culture and art.Among them,Dodi is the most abundant and unique artistic essence.It integrates history,song,poetry and dance.It is a highly comprehensive traditional folk dance.First,Dodi’s content,ranging from epoch-making to living rules;Second,Dodi’s lyrics not only act the role of retrospecting to history,but also praising merit and virtue;Third,formally,Dodi not only reproduces the war scene,but also simulates the animal posture.Dodi has a long history,rich types and cultural connotation and artistic characteristics.From the perspective of cultural protection,Dodi dance is a typical representative of Zhouqu Tibetan traditional folk song and dance.With the continuous development of the times,Dodi is facing the embarrassing situation of inheritance fault and lack of successors.This paper puts forward the protection concept of sustainable development for its inheritance and development,providing reference value for the research of Tibetan culture and art,and Chinese culture and art.
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