人类世视域下中国生态电影的价值重建与类型融合  

Value Reconstruction and Genre Integration of Chinese Ecocinema from the Perspective of Anthropocene

作　　者：牛光夏[1,2] Niu Guangxia

机构地区：[1]山东艺术学院传媒学院 [2]山东艺术学院影视创意与研究中心

出　　处：《电影艺术》2022年第5期41-47,共7页Film Art

基　　金：2021年山东省社科规划研究项目“国家治理现代化视域下生态文明理念的媒介动员研究”(批准号:21CXWJ1)阶段性成果。

摘　　要：电影是视觉文化时代人们感知和把握“人类世现实”的一种方式,关注生态议题、具有生态寓意的电影作品影响着我们对周围世界的想象和认知。生态电影创作面临人类世这一重视反思现代性和加强生态文明建设的时代语境,新中国成立以来,中国生态电影经历了从人类中心主义倾向的“人定胜天”自然观,到人与自然是生命共同体自然观的价值重建。不论是纪实影像的生态凝视还是虚构影像的生态想象,应在文本叙事、文化地理和媒介形式诸方面进行多维面向的类型融合。Film is a way to perceive and grasp the “human reality” in the Anthropocene. Film which focuses on ecological issues and has ecological implications affect our imagination of the surrounding world. The production of Chinese ecocinema is facing the contemporary context which attaches great importance to reflecting on modernity and strengthening the construction of ecological civilization. Since the founding of the People’s Republic of China, Chinese ecocinema has experienced value reconstruction from the Anthropocentrism tendency of “Man can conquer nature” to the natural view that man and nature are the community of shared life. Whether it is the ecological gaze of documentary images or the ecological imagination of fictional images, Chinese ecocinema should achieve genre integration in the facet of narrative, cultural geography and the medium itself.

关 键 词：生态电影 人类世 价值重建 类型融合 

分 类 号：J905[艺术—电影电视艺术]