再论“新博物馆学”  

Re-Discussing the New Museologies

作　　者：汪彬 尹凯[2] WANG Bin;YIN Kai(School of Archaeology,Jilin University,Changchun,Jilin,130012;Institute of Cultural Heritage,Shandong University,Qingdao,Shandong,266237)

机构地区：[1]吉林大学考古学院,吉林长春130012 [2]山东大学文化遗产研究院,山东青岛266237

出　　处：《东南文化》2022年第5期130-137,共8页Southeast Culture

摘　　要：“新博物馆学”是20世纪下半叶博物馆世界最为重要的概念之一,但国内学界对其基本内涵的理解却长期存在着混淆、误解和偏差。“新博物馆学”在法语世界和英语世界拥有两种不同的内涵,有着各自独立的理念主张和演变脉络:在法语世界,“新博物馆学”一词在1980年由安德烈·德瓦雷提出,并随着国际新博物馆学运动的发展而在国际博物馆界流行起来;英语世界中的“新博物馆学”则因1989年彼得·弗格主编的《新博物馆学》一书而得名,在之后广泛使用的过程中被不断赋予新的内涵。虽然这两个概念因其“新”的诉求而共享一些共识性主张,但是彼此之间存在着根本性差别,对它们进行清晰的区分与说明对于当代博物馆学研究来说极为必要。The"new museologies"is one of the most important concepts in the museum world in the second half of the 20th century.Its basic connotation,however,has long been misunderstood and misinterpreted in the Chinese academic field.New museologies has two different connotations in the French-speaking world and the English-speaking world,each with its own conceptual propositions and evolutionary lineage.The term"muséologie nouvelle"in French was put forward by AndréDesvallées in 1980 and became popular in the international museum field with the development of the Movement Internationale pour la Nouvelle Museologie.The English term"new museology"got its name from the book The New Museology edited by Peter Vergo in 1989,and has been given new meanings in its subsequent extensive use.Although the two concepts share some common propositions due to their"new"aspirations,they are fundamentally different from each other,and a clear distinction between them is essential for contemporary museological research.

关 键 词：新博物馆学 法语新博物馆学 英语新博物馆学 博物馆学史 

分 类 号：G260[历史地理—考古学及博物馆学]