“鹧鸪诗”的文学意象与《鹧鸪飞》的审美意趣  

The Literary Image of“Partridge Poetry”and the Aesthetic Orientationof The Partridge Flies

作　　者：陈辉 CHEN Hui(School of Art and Design,Taizhou University,Taizhou 318000,China)

机构地区：[1]台州学院艺术与设计学院,浙江台州318000

出　　处：《美育学刊》2022年第6期48-54,共7页Journal of Aesthetic Education

摘　　要：中国自古以来有诗乐一体的传统,音乐与古典诗词有着不可分割的亲缘关系,处处体现出“诗中有乐”“乐中有诗”的诗乐相融境界。笛曲《鹧鸪飞》脱胎于湖南民间音乐,融汇了江南丝竹元素,并与唐代“鹧鸪诗”在文化渊源上有千丝万缕的联系。从“鹧鸪诗”与《鹧鸪飞》的诗乐相融关系,可以观照传统诗乐文化在当代的传承与发展,以及古典诗词对音乐创作的深远影响。Since ancient times,China has the tradition of integrating poetry and music,which shows that music and classical poetry are inseparable with each other,and further reflects the realm of“music in poetry”and“poetry in music”.The flute song The Partridge Flies,born out of Hunan folk music,integrates elements of traditional stringed and woodwind instruments in the south of the Yangtze River,and has strong connections with the“partridge poetry”of the Tang Dynasty in terms of the cultural origin.From the relationship between“partridge poetry”and The Partridge Flies,we are supposed to observe the inheritance and development of traditional poetry and music culture in the contemporary era and the profound influence of classical poetry on music creation.

关 键 词：鹧鸪诗 文学意象 鹧鸪飞 审美意趣 

分 类 号：B835[哲学宗教—美学]