美学视野下的电子音乐舞曲  

Electronic Dance Music in Aesthetic Perspective

作　　者：任书轩 李鲜花(指导) Ren Shuxuan(Xi’an Fanyi University,Xi’an Shaanxi 710105)

机构地区：[1]西安翻译学院英文学院,陕西西安710105 [2]不详

出　　处：《西安翻译学院论坛》2022年第4期77-80,共4页Forum of Xi'an Fanyi University

基　　金：本文是《高级英语》省级课程思政示范课建设成果。

摘　　要：电子音乐舞曲是20世纪60年代起源于欧洲及美国的新兴音乐风格,体现了节奏和情感的统一。本文首先介绍了电子音乐舞曲的内涵,然后以康德《判断力批判》的美学理论为指导,对电子音乐舞曲的美学特征进行分析并提出其美学价值,以期提升大众对电子舞曲的审美情趣和审美体验。Electronic dance music,a unification of rhythm and emotion,is a new music genre that emerged in the 1960s in Europe and the United States.The purpose of this paper is to introduce the history of the development of electronic dance music in China,as well as its connotation,and it adopts Kant’s(1724-1804)Critique of Judgment as its theoretical basis to analyze the aesthetic characteristics and values of electronic dance music.

关 键 词：电子音乐 舞曲 美学分析 

分 类 号：J601[艺术—音乐]