从《巴黎印象记》解读陈季同的双重文化身份  

Interpreting of Chen Jitong’s Dual Cultural Identity Through The Parisians Painted by a Chinese

作　　者：郑蕾 Zheng Lei

机构地区：[1]广东外语外贸大学

出　　处：《法语国家与地区研究（中法文）》2022年第4期80-90,93,共12页Etudes Francophones

摘　　要：《巴黎印象记》虽不是陈季同的代表作,却最为集中地体现了他旅法期间独特的双重文化身份。彼时,陈氏既是以法文著书为本国传统风俗辩护的清廷文人外交官,又是以林荫大道旁剧院和咖啡馆为主要社交场所和社会观察点的巴黎漫步者。这两种文化身份彼此关联。前者是后者得以凸显的根本原因,后者则在写作素材采撷、语言技巧运用及作品影响力提升三方面为前者助力颇多。但巴黎漫步者的身份折损了其作品的思想深度,以致时人评价毁誉参半。Although The Parisians Painted by a Chinese is not the representative literary text of Chen Jitong,it embodies,in a most intensive way,the writer’s dual cultural identity in France.Chen was not only a diplomat of the late Qing Dynasty who spent more than ten years in Europe defending the customs of his people,but was also a Parisian flâneur who frequented cafes and theaters on the boulevards both for social amusement and for literary creation.These two cultural identities are interrelated.The first identity enabled the second.In return,the second influenced the first in three ways:the selection of writing materials,the deployment of language skills,and the enhancing of literary influence.But the identity of Parisian flâneur subverted Chen’s attitude towards life,undermined the depth of his literary works and resulted in his mixed reputation.

关 键 词：《巴黎印象记》 陈季同 文化身份 晚清文人外交官 巴黎漫步者 

分 类 号：I206.5[文学—中国文学]