中国古代的集字诗及东国流衍——兼谈“摹拟类诗歌”的文体序列  

Ancient Chinese Poems with Collected Characters and Their Spreading in the East——Also on the Stylistic Sequence of“Imitated Poems”

作　　者：戚昊 QI Hao(School of Chinese Language and Literature,Sun Yat-sen University,Guangzhou,Guangdong 510275)

机构地区：[1]中山大学中国语言文学系,广东广州510275

出　　处：《中国文学研究》2022年第4期73-82,共10页Research of Chinese Literature

摘　　要：集字诗是作为书法领域的“集字”渗透文学领域,在文学意义上的集字出现后而形成的一种文学现象。其源于北宋,盛于明清,形式多样。其创作动机,一是为了精神追拟、参与经典境界的还原式重构;二是为了游戏竞技,在文人的日常生活中增添雅趣。集字诗最迟于明代后期传入朝鲜,国王与士人皆有创作,并显示出文体移植后的一些本土化特征。此外,檃括集字诗作为二次创作,与单人集句诗、檃括诗、拟古诗同为“摹拟类诗歌”,是对古人一次创作的再加工。四者共同构成一条由浅入深、由里及表的仿古序列,体现了古典诗歌中崇古心态、典范意识的不断加强。“Collected Characters”was originally a calligraphy term.After it penetrated into the literary field,a literary set of characters appeared and a unique poem with a set of characters appeared.It originated in the Northern Song Dynasty and flourished in the Ming and Qing Dynasties,with various forms.Its creative motives are,first,to follow the spirit and participate in the reduction reconstruction of the classic realm;second,to add elegance and interest to the daily life of literati in game competition.The anthology poems were introduced to Korea in the late Ming Dynasty at the latest,and were created by both kings and scholars,and showed some localized characteristics after the style transplantation.In addition,as a secondary creation,the poems with anthology of characters,together with single-person anthology poems,anagrams,and imitating ancient poems,are“mimicking poems”.The four together constitute an antique sequence from the shallower to the deeper,from the inside to the surface,which reflects the continuous strengthening of the antiquity mentality and paradigm consciousness in classical poetry.

关 键 词：集字 追拟 游戏 朝鲜 摹拟诗 

分 类 号：I222[文学—中国文学]