读韩少功《山南水北》——关于生命消失的思索  

An Interpretation of Han Shaogong’s Shan Nan Shui Bei——Reflections on the Disappearance of Life

作　　者：加藤三由纪 Kato Miyuki(Department of Performance Studies,Wako University,Tokyo,Japan 195-8585)

机构地区：[1]和光大学表现学部,日本东京195-8585

出　　处：《中国文学研究》2022年第4期196-201,共6页Research of Chinese Literature

摘　　要：《山南水北》四分之一的文章都和回不去的往事和逝者有关。关于生命消失的思索显然是贯穿整个作品的一个基本旋律。《山南水北》在过去、现在和未来之间来回穿梭,含有历史文化意义的山水和藏有个人记忆的风景、虚构和非虚构的并存,构成了一道多层次时空融合的场景。作家把乡村将要消失的生命嵌在作品的风景里,随之获得的是感激和感悟,感激为他人消失的生命,感悟自然给出的生命应答,就这样默默地接受着生命的消失。韩少功这种对生命的凝视及生态意识与梭罗及佩索阿的作品遥相呼应。A quarter of the text of Shan Nan Shui Bei is concerned with the past and the dead.Thus,the reflections of the disappearance of life is clearly the main theme throughout the work.Shan Nan Shui Bei moves back and forth between past,present and future,in which the landscapes encompassing historical and cultural significance and those harboring personal memories——fiction and non-fiction——are juxtaposed,forming a multi-layered scene of temporal fusion.The author has embedded the vanishing lives of the countryside in the landscape of his works,through which he expresses gratitude for the loss of life for others and comes to realize nature’s response to life,and finally accepts the disappearance of life in silence.Han Shaogong’s gaze on life and ecological awareness echoes the works of Thoreau and Pessoa.

关 键 词：山水 风景 消失 翻译 佩索阿 

分 类 号：I247[文学—中国文学]