让他当恺撒吧  

Let Him BeCaesar

作　　者：迈克尔·道布森 鲁跃峰(译) Michael Dobson

机构地区：[1]牛津大学 [2]河南师范大学外国语学院

出　　处：《中国莎士比亚研究》2022年第1期11-21,共11页

摘　　要：本文参照心理学、社会文化历史学、跨文化和经典阐释学等方法,梳理了克里夫著《莎士比亚暴乱》一书中的结论,勾画了美国平民演员福雷斯特和英国贵族演员麦克雷迪在莎剧演出中一系列冲突,以莎剧中诸多角色、场景、演员为背景,以纽约阿斯特广场暴乱为突破口,分析了19世纪英美两国莎剧文化的历史、现状、传播空间组合及生态景观分布、考证了莎剧最佳演员竞争暴乱背后是美国平民的反英、反精英及反富人情绪的爆发。最后得出了一个悖论式的结论:反对英国的美国的广衰大地需要英国的伟大的莎士比亚,英国的莎士比亚戏剧需要当年逃避英国莎士比亚戏剧的那些美国人的后代的狂放不羁的舞台。Adopting the methods such as psychology,socio-cultural history,cross-cultural and classical hermeneutics,this book review combs the conclusions of Cliff's The Shakespeare Riots.Employing a series of conflicts between American civilian actor Forrestt and British noble actor Macready in Shakespeare's plays as the axis,with many characters,scenes and actors in Shakespeare's play as the background,taking the Riot in Astor Square in New York as a breakthrough,this paper humorously analyzes the history,current situation,the combination of communication space and ecological landscape distribution of Shakespeare's drama culture in Britain and America in the 19th century,and verifies that behind the riot of competition for the best actors of Shakespeare's drama is the outbreak of anti-British,anti-elitist and anti-upperclass society feelings of American civilians.Finally,this paper comes to a paradoxical conclusion:the United States,which opposes Britain,needs great British Shakespeare for hervast lands,and British Shakespeare's plays need the unrestrained stage of the descendants of those Americans who evaded British Shakespeare's plays.

关 键 词：迈克尔·道布森 奈杰尔·克里夫 《莎士比亚暴乱:19世纪美国的报复、戏剧和死亡》 福雷斯特 麦克雷迪 莎士比亚戏剧 

分 类 号：G63[文化科学—教育学]