巫·舞·武——对民俗艺术中生命本源的多层面解析  

Discussion on the Inner Origin of Life Between Folk Art and Wu Witch and Dance

作　　者：张锦莉[1] ZHANG Jin-li(Department of Art,Ocean University of China,Qingdao,Shandong 266100)

机构地区：[1]中国海洋大学艺术系,山东青岛266100

出　　处：《艺术百家》2022年第4期15-20,共6页Hundred Schools In Arts

基　　金：山东省社会科学规划传统艺术传承与创新研究专项“非物质文化遗产的保护及开发研究——以胶东即墨榼子图案艺术为例”(项目编号:17CCYJ04);青岛市社会科学规划项目“通过中国古代绘画的教育研究”(项目编号:QDSKL1901009);山东省艺术科学重点课题“中国古代绘画中女性服饰图案文化及其纹样的开发和利用”(项目编号:201706335)的阶段性研究成果。

摘　　要：文章透过早期艺术和遗留至今的器物图像及其与文献史料对话交互,从贯穿于民俗艺术的巫文化出发,解析民俗艺术与巫、舞、武之间多层面的内在联系——“巫”中见“舞”以及“舞”中见“武”的生命意识表达。并结合民俗艺术符号中“卍”字符,探讨民俗艺术的生命本源以及深埋土壤里的生命繁衍意识,乃至隐含于内、一脉相承的生命本源观。Through early art and images of artifacts left to the present,as well as dialogues and interactions with historical documents,starting from the Shaman culture that permeates folk art,and the inner connection between folk art and Shamanism,dance and martial arts,analyzes the relationship between folk art and Shamanism,dance and martial arts.The inner multi-layered content and connection,the expression of life consciousness that sees"dance"in"witchcraft"and"wu"in"dance",and combines the swastika character in folk art symbols to explore the origin of life of folk art,and even buried deep in the soil The consciousness of the reproduction of life in it implies the concept of the origin of life in the same vein.

关 键 词：民俗艺术 巫 舞 武 生命本源 

分 类 号：J0[艺术—艺术理论]