唐卡艺术的设色风格及传承发展研究  

Research on the Colouring Style and its Inheritance and Development of Thangka Art

作　　者：伊尔·赵荣璋 Yier·Zhao Rong-zhang(Museam of Tibetan Culture,Tibetology Research Center,Beijing 100101)

机构地区：[1]中国藏学研究中心西藏文化博物馆,北京100101

出　　处：《艺术百家》2022年第4期122-129,共8页Hundred Schools In Arts

摘　　要：文章通过对唐卡设色构成学的分析和研究,阐明唐卡绘画设色构成包括佛学构成、美学构成、物理学构成三个方面。结合考察调研,文章对目前广泛流传的唐卡画派“勉唐派”“噶玛嘎孜派”“勉萨派”的设色艺术风格进行对比研究认为:发掘和研究唐卡矿物质颜料,特别是其在唐卡绘制中科学使用对唐卡的保护、传承与发展具有重要意义。This article analyses and studies the composition of Thangka colors,and elaborates that the theory of the composition of Thangka painting consists of three important aspects:"Buddhist composition","Aesthetic composition"and"Physical composition".Moreover,this article has made a comparative study of the coloring art styles of the widely circulated Thangka painting schools"Miantang school","Gamagazhi school"and"Miansa school".It is proposed that the research and discovery of mineral pigments in Thangka,especially the scientific use in Thangka painting,is of great significance to the protection,inheritance and development of Thangka.

关 键 词：唐卡绘画 藏传佛教 设色构成 矿物质颜料 

分 类 号：J20[艺术—美术]