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作 者:陆地[1] LU Di
机构地区:[1]同济大学建筑与城市规划学院,上海200092
出 处:《新建筑》2022年第6期50-56,共7页New Architecture
基 金:国家自然科学基金面上项目(51778428,52278036)。
摘 要:由古斯塔沃·焦万诺尼于1912年提出的释放性修复的概念,旨在通过清除遮盖、扰乱遗产核心形象的无历史价值或低历史价值的后世增生元素,在某种程度上恢复遗产的既往形象。释放性修复的原理简单、效果明显,是所有其他艺术性修复措施的基础与前奏,然而由于需要清除某些元素,也是特别容易引发争议、需要慎用的干预措施。文章针对释放性修复的常见清除对象,探讨了这类修复的复杂性及其合理界限。The concept of restauri di liberazione(restoration by liberation), coined by Gustavo Giovannoni in 1912, aims to regain the previous image of heritage to some extent by removing later additions of no historical value or low historical value that obscure or disturb the image of heritage. The restauri di liberazione, with its simple method and obvious effect, is in fact the basis and prelude to all other artistic restorations, yet it is also a particularly controversial intervention that needs to be treated with deliberation due to its requirement to remove certain elements. Based on sorting out common candidates to be removed in restauri di liberazione, this paper explores the complexities and justifiable limits of such type of restoration.
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