论汉画像石与汉乐府乐舞形象的互动关系  

The Interactive Relationship Between Han Stone Portraits and Han Yuefu Musical and Dancing Images

作　　者：丁梓仪 何江波 杨艳妮 申雅安 付芳芳 任子璇 DING Ziyi;HE Jiangbo;YANG Yanni;SHEN Ya'an;FU Fangfang;REN Zixuan(Anhui Normal University,Wuhu Anhui,241002,China)

机构地区：[1]安徽师范大学,安徽芜湖241002

出　　处：《文化创新比较研究》2022年第33期13-17,共5页Comparative Study of Cultural Innovation

基　　金：2018年国家社科基金后期资助项目“清商曲辞音乐形态研究”(项目编号:18FZW074);2021年国家级大学生创新创业计划“汉画像石中的乐舞形象与汉乐府关系研究”(项目编号:202110370161)研究成果。

摘　　要：中国古代文学与乐舞之间关系密切,乐府是中国古代乐舞文学的重要阶段,而汉乐府则是乐府诗的发端。汉画像石是汉乐府艺术的瞬时图像留存,是动态表演的瞬时记录;汉乐府诗是乐府艺术的文字留存,是静态的文字描述。二者是乐府艺术不同层面的共同展现。汉乐府是一种涵盖诗、乐、舞等多方面的综合性表演艺术。汉画像石是乐舞形象的图像化呈现,因其图像性质,只能是瞬时呈现;汉乐府诗是乐舞形象的文学化表达,因其文本形态,是补充历时书写过程。二者都是乐府艺术不同形式的留存,相辅相成,缺一不可。只有将图像与文本结合起来,才能真正了解综合性的乐府艺术,了解画像石与乐府诗的关系,理解汉乐府的艺术本质。There is a close relationship between ancient Chinese literature and music and dance.Yuefu is an important stage of ancient Chinese music and dance literature,while Han Yuefu is the beginning of Yuefu poetry.Stone Portraits in Han Dynasty are the instantaneous images of Han Yuefu art and the instantaneous records of dynamic performance.The Yuefu poetry in Han Dynasty is the text retention of Yuefu art,which is a static text description.The two are the common display of different levels of Yuefu art.Han Yuefu is a comprehensive performing art covering poetry,music,dance and other aspects.The stone Portraits in Han Dynasty are the images of music and dance.Because of their image nature,they can only be presented instantaneously.Han Yuefu poetry is a literary expression of the image of music and dance,because its text form is a supplement to the diachronic writing process.Both are the retention of different forms of Yuefu art,complement each other and are indispensable.Only by combining images with texts can we truly understand the comprehensive art of Yuefu,understand the relationship between stone Portraits and Yuefu poems,and understand the artistic essence of Yuefu in Han Dynasty.

关 键 词：汉画像石 汉乐府诗 乐舞形象 互动关系 音乐 舞蹈 

分 类 号：J722.4[艺术—舞蹈] K879.4[历史地理—考古学及博物馆学]