折衷主义:对中国现当代艺术中"别现代"境遇的回应  

Eclecticism as a Response to the Bie-Modern Situation in Modern and Contemporary Chinese Art

作　　者： 陆蕾平(译)[2] Margaret Richardson;Lu Leiping

机构地区：[1]美国弗吉尼亚州克里斯托弗新港大学 [2]上海师范大学美术学院

出　　处：《中国美学》2022年第1期207-219,共13页Chinese Aesthetics

摘　　要：本文以王建疆的"别现代"概念为切入点,探讨在中国近现代艺术运动初期以及当代的中国艺术家对"别现代"境遇的回应与超越。这一时期,许多中国艺术家在应对混乱局面的同时,也在来自内外部的广泛影响中选择了特定情境下更有意义的形式。当他们试图回应"别现代"时,采用了折衷主义的方式,这也是印度著名艺术家K.G.苏布拉马尼扬所提出的一个概念。正如文中案例所揭示的,折衷主义可以被视为一种处理别现代的策略以及别现代主义的可能特征之一。Engaging with Professor Wang's Bie-modern concept,this paper will explore a few ways modern Chinese artists,in the early stages of China's modern art movement and in more recent times,have responded to this Bie-modern situation and in some cases transcended it.Many Chinese artists in these periods negotiated a broad range of influences from within and without while responding to disruptive circumstances,selecting forms that were meaningful to that particular situation.As they attempted to respond to the Bie-modern,I suggest they adopted eclecticism,a concept that has been theorized by eminent Indian artist,K.G.Subramanyan.As these examples will reveal,eclecticism can be seen as a strategy for dealing with Bie-modern and a possible feature of Bie-modernism.

关 键 词：别现代 折衷主义 苏布拉马尼扬 高剑父 鲁迅 

分 类 号：J120.9[艺术—艺术理论]