现代无聊情绪与网络文学的意义危机  

Modern Boredom and the Meaning Crisis of Network Literature

作　　者：妥建清[1] 魏蒙 Tuo Jianqing;Wei Meng

机构地区：[1]西安交通大学人文学院,陕西西安710049 [2]西安电子科技大学信息科学与认知哲学研究中心,陕西西安710126

出　　处：《中州学刊》2022年第12期156-165,共10页Academic Journal of Zhongzhou

基　　金：国家社会科学基金项目“数字媒介时代的文艺批评研究”(19ZDA270);国家社会科学基金项目“百年中国文学传播史的书写问题研究”(18AZD032)。

摘　　要：基于无聊视角,借鉴海德格尔所阐释的三种无聊形式反思网络文学,可以发现,网络文学的“爽”叙事、超长篇幅和欲望逻辑等形态特征,以及平滑畅快的阅读体验都与读者驱散日常无聊的意愿紧密相关。但是,网络文学的爽感阅读过度放大娱乐化效用,难以克服意义缺失这一无聊的根源,持续耽溺其中还会堕入丧失自我的深度无聊情态中。网络文学要摆脱意义危机,必须为自身赋予具有生命内涵的本真意义,以此推动网文作者、作品以及大众群体在内的网络文学生态整体的革新。只有这样,才能促进网络文学的良好发展,使之更好地推动现代人精神世界的建设,同时为走出现代性意义危机提供一种文学拯救方案。Based on the perspective of boredom,this paper reflects on the network literature by referring to the three forms of boredom explained by Heidegger.It can be seen that the narrative with“Shuang”as the core,the great length,the logic of desire and other morphological features of network literature,as well as the smooth and carefree reading experience,are closely related to the willingness to dispel the daily boredom.However,the pleasure reading of network literature over-amplifies the entertainment utility,and it is difficult to overcome the lack of meaning,which is the root of boredom.People who continue to indulge in it will fall into the deep boredom of losing their own will.By analyzing this existentialist picture,this paper reveals the significance crisis of network literature at the present stage,and emphasizes that only by giving network literature the true meaning with life connotation,so as to promote the overall innovation of network literature ecology,including network literature authors,works and public groups,can it promote the good development of network literature and make it beneficial to the construction of modern spiritual world.At the same time,it provides a literary rescue plan to solve the significance crisis of modernity.

关 键 词：网络文学 无聊情绪 意义危机 大众文学 

分 类 号：I206[文学—中国文学]