乡土情怀与市井风情的文化想象——基于《小小得月楼》《美食家》等电影的苏州形象考察  

Cultural Imagination of Local Feelings and Common Customs——Investigation of Suzhou Image Based on Little Moon House and Gourmet

作　　者：艾志杰 AI Zhijie(Suzhou University of Science and Technology,Suzhou 215009,China)

机构地区：[1]苏州科技大学,江苏苏州215009

出　　处：《金华职业技术学院学报》2022年第6期80-84,共5页Journal of Jinhua Polytechnic

基　　金：2020年度国家社会科学基金项目“新时代中国非虚构文艺创作研究”(20BZW042);2020年度苏州科技大学校级科研基金项目“媒介融合时代影视艺术的跨媒介传播研究”(XKR202005)。

摘　　要：二十世纪下半叶出现了《满意不满意》《小小得月楼》《美食家》等多部与苏州形象有关的电影,这些影片既是姑苏城的文化注脚,也是国家发展和历史变迁的影像考古。电影中的人物形象、象征符号、集体记忆等元素暗含怀旧、典雅的姑苏图景和浓郁的乡土文化,“生活流”的叙事策略和“烟火气”的声景建构则展示苏州的市井风味和苏州人别有特色的生存哲学。这种精致儒雅的文化想象并非是电影艺术的虚构书写,而是深深根植于苏州的建城历史之中,观众看到的是“乡土苏州“”文化苏州“”市井苏州”的多元城市形象。In the second half of the 20th century,many films related to Suzhou image appeared,such as Satisfied or Not Satisfied,Little Moon House,Gourmet. These films are not only cultural footnotes of Suzhou City,but also video archaeology of the development and changes of socialist countries. The characters,symbols,collective memory and other elements in the films show the nostalgic and elegant picture of Gusu and rich local culture. At the same time,the narrative strategy of“life flow”and the soundscape construction of“cooking oil smell”show Suzhou’s market flavor and Suzhou people’s unique philosophy of existence. This exquisite and elegant cultural imagination is not a fictional writing of film art,but deeply rooted in the history of Suzhou’s city building,which depicts the multi-city images of Local Suzhou,Cultural Suzhou and Marketplace Suzhou.

关 键 词：乡土情怀 市井风情 苏州形象 

分 类 号：J905[艺术—电影电视艺术]