画译:20世纪美国诗人汉诗英译新视角  

On Painting-Based Translation:A New Perspective in 20th-Century American Poets’Translation of Classical Chinese Poems

作　　者：张保红[1] 朱芳 ZHANG Baohong;ZHU Fang

机构地区：[1]广东外语外贸大学高级翻译学院,广东广州510420

出　　处：《外国语文》2022年第6期102-112,共11页Foreign Languages and Literature

基　　金：教育部人文社会科学研究一般项目“绘画美学视角下的中国古诗英译研究”(19JYJA740077);广东省基础研究及应用研究省级重点项目(人文社会科学)“中国对外话语体系构建与跨文化语用翻译研究”(2018WZDXM010);广东外语外贸大学研究生科研创新项目“古典诗词‘画译’研究”(21GWCXXM-058)的阶段性研究成果。

摘　　要：20世纪初以来,以庞德为首的美国现代派诗人不仅通过诗歌翻译寻找革新英诗创作的源泉,还从绘画、雕塑等非语言艺术中吸取养分,创新英诗表达法。他们借鉴绘画艺术翻译古典汉诗,使译诗成为现代英诗改革的“试验田”并推动着中西诗学、文化、艺术的融通发展。本文从绘画艺术审美感性直觉、绘画形式语言以及绘画原理技法三个层面,探析美国诗人翻译古典汉诗的画译特色,揭示画译独特的诗学价值与美学效果,阐述其对当代译学发展的认识论价值与方法论意义。Since the beginning of the 20 th century,American modernist poets led by Ezra Pound have not only drawn inspiration from poem translation in order to reform English poetry,but also innovated its expressions from painting,sculpture and other non-verbal arts.They translated classical Chinese poems in the light of painting,and turned it into an“experimental field”for the reform of modern English poetry,which has promoted the integration of Chinese and Western poetics,culture and art.This paper probes into the painting-based translation of classical Chinese poems into English by American poets from three aspects:the aesthetic sensuous intuition,the formal language,and the principles and techniques of painting,thus discloses the unique poetic values and artistic effects of painting-based translation,and explores its epistemological value and methodological significance to the development of contemporary translation studies.

关 键 词：画译 古典汉诗 美国诗人 

分 类 号：H315.9[语言文字—英语]