基于工业遗存的沉浸式科幻空间设计研究——以首钢三高炉“科幻世”展览为例  

作　　者：久子 姚童哥 王之纲 

机构地区：[1]清华大学美术学院 [2]中国传媒大学 [3]清华大学美术学院信息艺术设计系

出　　处：《北京文化创意》2022年第5期92-96,共5页Beijing Culture Creativity

基　　金：冬奥会首钢赛区数字化生态创意设计研究与示范(项目编号2020YFF0305400)。

摘　　要：工业遗存具有重要的历史价值、文化价值、社会价值,如何让工业遗存在当今社会焕发新的活力与生命是一个极为重要的命题。文章力求将工业遗存与科幻主题相结合,探求沉浸式展览空间的设计思路。根据“沉浸”的概念以及工业遗存的便利条件,基于工业遗存的沉浸式科幻空间设计,应从“感官”“想象”“交互”三方面入手使其同时满足叙事性沉浸与游戏性沉浸的条件,同时依托于“科幻世”展览的实际落地,讨论其“感官沉浸”“想象沉浸”“交互沉浸”的设计思路与设计手段。Industrial sites have important historical value, cultural value, social value. How to make industrial sites coruscate new vitality and life in today’s society is a very important proposition. This work aims to explore an immersive exhibition space design idea that combines industrial sites and science fiction theme. According to the concept of "Immersion" and the natural conditions of industrial sites, the design ideas and methods of immersive sci-fi space based on industrial sites are explored. The design of immersive sci-fi space based on industrial ruins should be based on three aspects: "Sense" "Imagination" and "Interaction" so as to satisfy both narrative immersion and game immersion. At the same time, relying on "Sci-Ficene" exhibiton, the design ideas and means of "Sensory immersion" "Imagination immersion" and "Interactive immersion" are discussed.

关 键 词：工业遗存 科幻空间设计 感官沉浸 想象沉浸 交互沉浸 

分 类 号：G63[文化科学—教育学]