中国古代艺术史知识体系的建构  

Construction of the Knowledge System of Ancient Chinese Art History

作　　者：朱志荣[1] Zhu Zhirong(the Department of Chinese Language and Literature of East China Normal University,Shanghai,200241)

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《民族艺术研究》2022年第6期16-22,共7页Ethnic Art Studies

摘　　要：中国古代有着丰富的艺术史知识文献史料,在书画、设计、乐舞、戏曲等方面,有着潜在的知识体系,需要我们立足史料、借鉴西方、面向当代加以理论建构。内容包括“圣人创物”“伶伦作律”等艺术起源论,“北骨南韵”等风格差异论,“以俗为雅”“俗为雅用”等雅俗互动论,“诗画一律”“书画同源”等艺际借鉴论,内外交流与多民族艺术融合诸方面。在建构方法上,我们需要重视传世的文献资料,在门类艺术史知识的基础上提炼艺术史“一般”的知识,重视历史与逻辑的统一,借鉴现代艺术史理论等方法进行整合。Wealthy art history knowledge documents and historical materials existed in ancient China,and there is a potential knowledge system in calligraphy,painting,design,music and dance,opera,etc.,which requires us to make theoretical construction based on historical materials,Western experiences and the present.The content may include theories on the origin of arts,such as"saint creation of objects"and"rhythm created by musician",ideas of the differences of the styles such as southern bone and northern flavor,theories of interaction between elegance and vulgarity such as"taking vulgarity as elegance"and"vulgarity used as elegance",inter-arts reference theories such as"poetry and painting following the same principle","calligraphy and painting originating from the same origin"and so on,and other internal and external exchanges and multi-ethnic art integration.In terms of construction methods,we need to pay attention to the literature handed down from generation to generation,extract the"general"knowledge of art history on the basis of the knowledge of genre art history,pay attention to the unity of history and logic,and use methods such as modern art history theory to integrate the existing one.

关 键 词：艺术史知识体系 艺术起源 风格 雅俗互动 艺际借鉴 

分 类 号：J02[艺术—艺术理论]